charlie Haden, Hank Jones - Come Sunday (CD)

Charlie Haden

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    Categories
    JazzMusic
    Category
    1. Performer
    2. Gospel
    3. Classic Gospel
    Number of Items
    1
    Title
    Come Sunday *
    Media
    CD
    BarCode
    602527503684
    Country of Origin
    USA
    Label
    Naxos
    Distributor
    Universal Music Distribut
    Format
    CD
    Barcode
    602527503684
    Tracks
    1. [ Disc 01 Track 01 ] Take My Hand, Precious Lord
    2. [ Disc 01 Track 02 ] God Rest Ye Merry, Gentlemen
    3. [ Disc 01 Track 03 ] Down By the Riverside
    4. [ Disc 01 Track 04 ] Going Home
    5. [ Disc 01 Track 05 ] Blessed Assurance
    6. [ Disc 01 Track 06 ] It Came Upon a Midnight Clear
    7. [ Disc 01 Track 07 ] Bringing In the Sheaves
    8. [ Disc 01 Track 08 ] Deep River
    9. [ Disc 01 Track 09 ] Give Me That Old Time Religion
    10. [ Disc 01 Track 10 ] Sweet Hour of Prayer
    11. [ Disc 01 Track 11 ] Old Rugged Cross, The
    12. [ Disc 01 Track 12 ] Were You There When They Crucified My Lord?
    13. [ Disc 01 Track 13 ] Nearer My God To Thee
    14. [ Disc 01 Track 14 ] Come Sunday
    Songs / Tracks
    1. [ Disc 01 Track 01 ] Take My Hand, Precious Lord
    2. [ Disc 01 Track 02 ] God Rest Ye Merry, Gentlemen
    3. [ Disc 01 Track 03 ] Down by the Riverside
    4. [ Disc 01 Track 04 ] Going Home
    5. [ Disc 01 Track 05 ] Blessed Assurance
    6. [ Disc 01 Track 06 ] It Came Upon the Midnight Clear
    7. [ Disc 01 Track 07 ] Bringing in the Sheaves
    8. [ Disc 01 Track 08 ] Deep River
    9. [ Disc 01 Track 09 ] Give Me That Old Time Religion
    10. [ Disc 01 Track 10 ] Sweet Hour of Prayer
    11. [ Disc 01 Track 11 ] Old Rugged Cross, The
    12. [ Disc 01 Track 12 ] Were You There When They Crucified My Lord?
    13. [ Disc 01 Track 13 ] Nearer My God to Thee
    14. [ Disc 01 Track 14 ] Come Sunday
    Genre
    Jazz
    Release Date
    23 January 2012
    Country
    Notes

    Personnel: Hank Jones (piano).
    Audio Mixer: Jay Newland.
    Liner Note Author: Maurice Jackson.
    Recording information: Sear Sound Studio, New York, NY (02/02/2010-02/03/2010).
    Photographers: Cheung Ching Ming; Ruth Cameron.
    Nearly 16 years after issuing Steal Away, bassist Charlie Haden and pianist Hank Jones recorded a second set of spiritual folk songs, cut in 2010, only three months before Jones' passing. Many jazz records have explored spiritual folk music -- Grant Green's beautiful Feelin' the Spirit from 1962 and Cyrus Chestnut's 2006 Spirit are but two bookend examples. Haden and Jones weren't concerned with harmonic and improvisational concepts here. The two jazz musicians also had solid church backgrounds, and were participants in the civil rights struggles of the last century. These sacred folk songs hold shared meaning as well as individual ones that reflect the different sides of the church aisle. With the possible exception of their gorgeous delivery of Antonin Dvor k's "Goin' Home," which has become a jazz and blues standard, all of these songs have been sung in churches for centuries. There are contrasts between Come Sunday and its predecessor. A large one is technological: digital recording has been vastly improved upon since the 1990s. On Steal Away some of the warmth afforded a duo like this naturally was blunted because any sense of real depth was virtually unable to be captured on tape, reducing the sense of intimacy. On Come Sunday, it looms large; the studio room itself becomes an equal participant in these sessions -- it reflects back everything, from the sounds of piano pedals and fingers on keys to bass strings being pulled and plucked. This is a huge plus; that spaciousness allows the listener to get front-pew close and hear the natural warmth in the playing. In terms of the material there are stark differences, too. Steal Away contained primarily hymns, but there were also other folk songs, from "Danny Boy" to "Sometimes I Feel Like a Motherless Child." On Come Sunday, the music is purely sacred. It is reverent and restrained (overly in some places, more so than its predecessor). Steal Away swung -- albeit quietly -- throughout. That quality shows up here, but far less so; the readings of these tunes are more literal. On numbers such as "Down by the Riverside," "Deep River," and "Give Me That Old Time Religion," Jones makes room for jazz to enter full front and center, while never straying far from the melody; he lets the blues into the picture, Thomas A. Dorsey style, with pronounced left-hand work in the lower registers. Haden has always been as much a melodist as a timekeeper, something Ornette Coleman understood from the jump, which is why he chose the bassist early on. That quality is showcased on the "Take My Hand Precious Lord," "God Rest Ye Merry, Gentlemen," and "Going Home," where he leads the way. When he's following Jones' lead, he walks and bumps in tandem, adding a sense of swing. Ultimately, Come Sunday might have fared a little better by replacing the carols with more hymns, because the former are so staid. But that's a small complaint. At its best, Come Sunday is lovely, elegant, and even stirring. ~ Thom Jurek

    Date Released
    2012-01-01 00:00:00
    Audio Format
    PCM Audio
    Studio / Live
    Studio
    Video Disabled
    0
    Performer
    Hank Jones (Piano)/Charlie Haden
    Producer
    Ruth Cameron; Charlie Haden
    Artists
    1. Haden, Charlie / Hank Jones
    Duration
    42m 15s
    Engineer
    Jay Newland

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