Miles Davis - Sketches Of Spain (CD)

Miles Davis

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    1. Performer
    2. Jazz Instrument
    3. Trumpet
    Number of Items
    Sketches of Spain [Bonus Tracks] [Remaster]
    Country of Origin
    USA / Canada
    Sony Music Distribution (
    Mono / Stereo

    Q (1/00, p.134) - 5 stars out of 5 - "...fierce Spanish folk melodies...took orchestral jazz in a new direction....features Davis' trumpet in all its drifting, dry, abstract beauty."
    Down Beat (p.61) - 5 stars out of 5 -- "With SKETCHES OF SPAIN, Davis' music continued its modal moves away from bebop's busy density, opting to highlight his strengths, which emphasized feeling and lyric expression over technique."
    Down Beat (1960) - 5 Stars - Excellent - "...One of the most important musical triumphs that this century has yet produced....If there is to be a new jazz, a SHAPE OF THINGS TO COME, then this is the beginning..."
    Goldmine - 3.5 Stars - "...Brilliantly remixed..."
    Record Collector (magazine) (p.98) - 5 stars out of 5 -- "Almost panoramic in scope and fusing jazz with classical music, the album kicked off with an epic 16-minute version of Spanish composer Rodrigo's guitar concerto, transcribed for trumpet and orchestra."

    1. [ Disc 01 Track 01 ] Concierto De Aranjuez (Adagio)
    2. [ Disc 01 Track 02 ] Will O' The Wisp
    3. [ Disc 01 Track 03 ] The Pan Piper
    4. [ Disc 01 Track 04 ] Saeta
    5. [ Disc 01 Track 05 ] Solea
    6. [ Disc 01 Track 06 ] Song Of Our Country
    7. [ Disc 01 Track 07 ] Concierto De Aranjuez (Part One)
    8. [ Disc 01 Track 08 ] Concierto De Aranjuez (Part Two Ending)
    Songs / Tracks
    1. [ Disc 01 Track 01 ] Concierto de Aranjuez
    2. [ Disc 01 Track 02 ] Will O' the Wisp
    3. [ Disc 01 Track 03 ] Pan Piper, The
    4. [ Disc 01 Track 04 ] Saeta
    5. [ Disc 01 Track 05 ] Solea
    6. [ Disc 01 Track 06 ] Song of Our Country - (Issued Take, bonus track)
    7. [ Disc 01 Track 07 ] Concierto de Aranjuez, Pt. 1 - (alternate take, bonus track)
    8. [ Disc 01 Track 08 ] Concierto de Aranjuez, Pt. 2 (Ending) - (alternate take, bonus track)
    Release Date
    10 March 1992

    Personnel: Miles Davis (flageolet, trumpet, flugelhorn); Janet Putnam (harp); Harold Feldman (flute, clarinet, oboe, flugelhorn); Al Block (flute, oboe, flugelhorn, tuba); Eddie Caine (flute, flugelhorn); Albert Block (flute); Danny Bank (clarinet, bass clarinet); Romeo Penque (oboe); Jack Knitzer (bassoon); Louis Mucci, Ernie Royal, Johnny Coles, Taft Jordan, Bernie Glow (trumpet); James Buffington (French horn, horns, Fender Rhodes piano); Tony Miranda, Joe Singer, John Barrows, Earl Chapin (French horn); Dick Hixon, Frank Rehak (trombone); Jimmy McAllister, Billy Ray Barber, Billy Barber (tuba); Jimmy Cobb (drums); Elvin Jones, Jose Mangual (percussion).
    Audio Remasterer: Phil Schaap.
    Liner Note Authors: Nat Hentoff; Phil Schaap.
    Recording information: 30th Street Studio, New York, NY (11/15/1959-03/10/1960); Street Studio, New York, NY (11/15/1959-03/10/1960).
    Directors: Seth Rothstein; Kevin Gore; Steven Berkowitz.
    Photographers: Vernon Smith; Verne Smith.
    Unknown Contributor Roles: Jimmy McAllister; Vernon Smith; Frank Rehak; John Barrows; James Buffington.
    Arranger: Gil Evans.
    The crown jewel of the epic Evans/Davis triptych that began with MILES AHEAD and PORGY AND BESS, SKETCHES OF SPAIN is as emotionally compelling as any performance in the trumpeter's remarkable body of works. Combining as it does the emotional gravity of two cultures--the deep song of flamenco music and the rich lament of the blues--SKETCHES OF SPAIN is a musical hybrid of enormous power and beauty. Gil Evans' immense canvas of orchestral colors inspires some of Davis' most deeply felt solo flights. He paints vast vistas of velvety, shimmering night sounds, and through it all runs the mountainous backbone of Spain's native rhythms and chants.
    The centerpiece of SKETCHES OF SPAIN is the Evans/Davis treatment of the second movement of Rodrigo's "Concierto De Aranjuez." Evans' charts engage Davis in a shifting, insistent dialogue, italicizing the trumpeter's subtle variations and timbral ecstasies with magnificent orchestral flourishes. The surreal patina of three flutes and harp, high muted trumpets and woodwinds, and subterranean trombones, French horns and tuba that define one of the main variations on the theme, is a majestic foil for Davis' expressive tones.
    Gil Evans liked to say that after Louis Armstrong, no one had affected the sound of the trumpet like Miles Davis. Miles fashioned a vibrato-less, introspective brass cry, made all the more lovely by his lush use of the middle and lower registers. Davis' manipulation of pitch on "Saeta" and "Solea" is so idiomatic, so vocalized, so full of revel and lament, it pierces your heart with heroic resignation and longing. SKETCHES OF SPAIN stands alone as one of the pillars of modern music.

    Date Released
    1999-01-01 00:00:00
    Audio Format
    PCM Audio
    Studio / Live
    Video Disabled
    Miles Davis
    Irving Townsend; Phil Schaap; Teo Macero; Phil Schaap (Reissue)
    1. Davis, Miles
    60m 19s
    Fred Plaut; Tom "Curly" Ruff; Mark Wilder
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