Original Soundtrack - Schindler's List (CD)

John Williams

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Categories
SoundtracksMusic
Category
  1. Performer
  2. Soundtracks
  3. Gold Disc
Number of Items
1
Title
Schindler's List
Media
CD
BarCode
008811096922
Country of Origin
USA / Canada
Label
MCA
Distributor
Universal Distribution
Mono / Stereo
Stereo
Format
CD
Barcode
008811096922
Tracks
  1. [ Disc 01 Track 01 ] Theme Fromschindler's List
  2. [ Disc 01 Track 02 ] Jewish Town
  3. [ Disc 01 Track 03 ] Immolation
  4. [ Disc 01 Track 04 ] Remebrances
  5. [ Disc 01 Track 05 ] Schidler's Workforce
  6. [ Disc 01 Track 06 ] Oyf'n Pripetshok And Nacht Aktion
  7. [ Disc 01 Track 07 ] I Could Have Done More
  8. [ Disc 01 Track 08 ] Auschwitz-Birkenau
  9. [ Disc 01 Track 09 ] Stolen Memories
  10. [ Disc 01 Track 10 ] Making The List
  11. [ Disc 01 Track 11 ] Give Me Your Names
  12. [ Disc 01 Track 12 ] Yeroushalaim Chel Zahav
  13. [ Disc 01 Track 13 ] Remembrances
  14. [ Disc 01 Track 14 ] Theme From Schindler's List
Songs / Tracks
  1. [ Disc 01 Track 01 ] Theme From Schindler's List
  2. [ Disc 01 Track 02 ] Jewish Town (Krakow Ghetto) - (with Winter '41)
  3. [ Disc 01 Track 03 ] Immolation (With Our Lives, We Give Life)
  4. [ Disc 01 Track 04 ] Remembrances
  5. [ Disc 01 Track 05 ] Schindler's Workforce
  6. [ Disc 01 Track 06 ] OYF'N Pripetshok / Nacht Aktion
  7. [ Disc 01 Track 07 ] I Could Have Done More
  8. [ Disc 01 Track 08 ] Auschwitz-Birkenau
  9. [ Disc 01 Track 09 ] Stolen Memories
  10. [ Disc 01 Track 10 ] Making the List
  11. [ Disc 01 Track 11 ] Give Me Your Names
  12. [ Disc 01 Track 12 ] Yeroushalaim Chel Zahav :: Jerusalem Of Gold
  13. [ Disc 01 Track 13 ] Remembrances - (with Itzhak Perlman)
  14. [ Disc 01 Track 14 ] Theme From Schindler's List (Reprise)
Genre
Soundtracks
Release Date
19 July 1999
Country
Notes

Personnel includes: John Williams (conductor), Gioria Fiedman (clarinet), The Boston Symphony Orchestra, The Li-Ron Herzeliya Children's Choir, The Ramat Gan Chamber Choir.
Recorded at Sony Scoring Stage, Culver City, California and Symphony Hall, Boston, Massachusetts. Includes liner notes by Steven Spielberg.
All music written by John Williams except "OYF'N Pripetshok" (Mark Warschafsky) and "Yeroushalaim Chel Zahav" (Naomi Shemer).
SCHINDLER'S LIST won the 1995 Grammy for Best Instrumental Composition Written For A Motion Picture Or For Television.
Personnel includes: John Williams (conductor), Itzhak Perlman (violin), Gioria Fiedman (clarinet), The Boston Symphony Orchestra, The Li-Ron Herzeliya Children's Choir, The Ramat Gan Chamber Choir.
Recorded at Sony Scoring Stage, Culver City, California and Symphony Hall, Boston, Massachusetts.
All music written by John Williams except "OYF'N Pripetshok" (Mark Warschafsky) and "Yeroushalaim Chel Zahav" (Naomi Shemer).
SCHINDLER'S LIST won the 1995 Grammy for Best Instrumental Composition Written For A Motion Picture Or For Television.
When John Williams received his 29th Academy Award nomination for Schindler's List, he had already won Oscars for Fiddler on the Roof, Jaws, Star Wars, and E.T.: The Extra Terrestrial. He had long been an automatic nominee, but as Hollywood's most honored working composer it was generally believed that it would take an extraordinary addition to his legacy for the Academy to award Williams a fifth trophy. Schindler's List would prove to be that extraordinary work -- and not just because of the enormous historical and social import of the film and it's subject, though those factors could only have strengthened Williams appeal to Academy voters. Schindler's List feels like his attempt at a magnum opus. Though even simpler in its melodies and themes than some of his famous sweeping popcorn movie scores, it carries the ambition of a major symphonic composition. This is especially true in the segments that are graced with exquisitely rich and evocative violin solos by world famous violinist Itzhak Perlman. Perlman's masterful performances give Williams' compositions an authenticity and grounding that offsets the composer's predilection for sentimentality and bombast. "Restraint" was the word that appeared most frequently in discussions of Steven Spielberg's Holocaust epic. The critical consensus was that the director had managed to depict the horrors of the greatest tragedy in world history without giving in to his customary urges to tug transparently at the heart strings of his audiences. In truth, Spielberg was only able to exercise restraint through the first two and a half hours of the film; he ended up throwing it out the window in the maudlin conclusion. Williams, too, is guilty of indulging in emotional excess. Which isn't surprising when you consider that his music has always been one of Spielberg's most effective heart-tugging tools. Like the film itself, his score is best at its simplest, deriving its emotional power from the events it depicts and bearing in mind that audiences do not need help from filmmakers and composers in order to be emotionally affected by the Holocaust. ~ Evan Cater

Date Released
1999-01-01 00:00:00
Audio Format
PCM Audio
Studio / Live
Studio
Video Disabled
0
Performer
John Williams (Film Composer)
Producer
John Williams
Artists
  1. Original Soundtrack
Duration
64m 38s

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