Rhythm of the Saints - (Import CD)
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- Rock & Pop
- Mono / Stereo
- The Rhythm of the Saints
Personnel includes: Paul Simon (vocals, guitar); Vincent Nguini (guitar, bass, clave); Georges Seba, Martin Atangana (electric guitar); Ringo Star, Ray Phiri (guitar); C.J. Chenier (accordion); Charles Doherty (alto & tenor saxophones); Jude Bethel (tenor saxophone); Errol Ince (trumpet); Dave Bargeron (euphonium); Clifton Anderson (trombone); Greg Phillinganes (synthesizer); Bakithi Kumalo (bass); Grupo Cultural Olodum, Steve Gadd (drums); Mingo Araujo, Remy Kabocka, Ya Yo De La Nelson, Sidinho, Dom Chacal (percussion); Briz, Karen Bernod, Myrna Lynn Gomila, Kia Y. Jeffries, Florence Gnimagnon, Charlotte Mbango, Djana'd, Elolongue Mbango Catherine, Ladysmith Black Mambazo (background vocals).
Principally recorded at The Hit Factory, New York; Transamerica Studios, Impressao Digital Studios and Multi Studios Rio De Janiero, Brazil; Studio Guillhaume Tell, Paris, France.
Audio Remasterers: Dan Hersch; Bill Inglot.
Recording information: Impressao Digital Studios, Rio De Janeiro, Brazil; Multi Studios; Pelourinho Square, Salvador, Bahia, Brazil; Studio Guillhaume Tell, Paris, France; The Hit Factory, New York, NY; Transamerica Studios.
Photographer: Sylvia Plachy.
As singer/songwriter Frank Tedesso once put it, GRACELAND is the mountaintop and RHYTHM OF THE SAINTS is the mist around the peak. The latter certainly does seem to pick up where it's South African-flavored predecessor left off. Though RHYTHM OF THE SAINTS relies on the traditional musical forms of a different part of the world (Brazil), Simon uses a somewhat similar strategy. He wraps his very American voice and lyrics around the rhythms and harmonies of a culture much more dependent on polyrhythms. In the process, he creates a new paradigm that is simultaneously familiar and excitingly fresh.
A new development is the undercurrent of social protest in the lyrics, something that GRACELAND only hinted at. A running lyrical theme is the intrusion of science and civilization upon nature, and the catastrophic results. When he finds no solutions in the world of men, Simon turns to the divine. On "The Cool, Cool River," he supplicates himself, with the understanding that "these prayers are the memory of God." However close he may get to heaven, RHYTHM OF THE SAINTS definitely finds Simon treading a step or two north of the earth.
- Country of Origin
- Studio / Live
- Paul Simon
- Songs / Tracks
- [ Disc 01 Track 01 ] Obvious Child, The
- [ Disc 01 Track 02 ] Can't Run But
- [ Disc 01 Track 03 ] Coast, The
- [ Disc 01 Track 04 ] Proof
- [ Disc 01 Track 05 ] Further to Fly
- [ Disc 01 Track 06 ] She Moves On
- [ Disc 01 Track 07 ] Born at the Right Time
- [ Disc 01 Track 08 ] Cool, Cool River, The
- [ Disc 01 Track 09 ] Spirit Voices
- [ Disc 01 Track 10 ] Rhythm of the Saints, The
- [ Disc 01 Track 11 ] Born at the Right Time [Original Acoustic Demo] - (previously unreleased)
- [ Disc 01 Track 12 ] Thelma [Outtake] - (alternate take)
- [ Disc 01 Track 13 ] Coast [Work-in-Progress], The - (previously unreleased)
- [ Disc 01 Track 14 ] Spirit Voices [Work-in-Progress] - (previously unreleased)
- Sony BMG
Rolling Stone (11/15/90) - 4 Stars - Excellent "...extends his reach not only further into the riches of world-beat music but further into the realm of the spiritual...a song cycle that examines with visionary beauty and brooding intensity the viability of faith in a corrupt, heartless and sometimes merely predictable world..."
Entertainment Weekly - "...This is gorgeous stuff, spiritually potent, with its utter integrity nowhere in doubt..." - Rating A+
Q (12/99, p.68) - Included in Q Magazine's "90 Best Albums Of The 1990s."
Q - Included in Q's list of the Fifty Best Albums of 1990.
Down Beat (2/91) - 3.5 Stars - Good plus - "...The second chapter in Simon's globetrotting phase is a production of epic proportions...with luscious, seductively rhythmic results. It's just that, somehow, the sensory pleasures of the album are more persuasive than the intellectual equation of the experiment..."
Time Magazine (12/31/90) - Rated one of the ten best recordings of 1990. - "...Intricate Brazilian rhythms; complex, inward-looking lyrics. And something else too: good fun..."
NME (Magazine) (10/90) - "...pleasant and surprisingly raw..."
- 61m 51s
- Video Disabled
- Roy Halee
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