Soundgarden - Down On The Upside (CD)


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    1. Performer
    2. Rock & Pop
    3. Grunge
    Copy Control
    Number of Items
    Down On The Upside
    Country of Origin
    USA / Canada
    Universal Distribution
    Mono / Stereo

    Rolling Stone (5/30/96, pp.45-46) - 3 Stars (out of 5) - "...[eschews] innovation for the simpler payoff of just rocking out....While there are plenty of genuinely enjoyable moments throughout the album, their cumulative effect is undercut by the strict adherence to hard-rock form....The outlook remains bleak throughout..."
    Spin (6/96, p.109) - 8 (out of 10) - " sprawling and generous-spirited as SUPERUNKNOWN, a looser and live-er-sounding affair, not seeking the same level of aural precision....There's a new rhythmic tilt in a few songs that suggests the influence of the unjustly maligned '70s boogie tradition..."
    Entertainment Weekly (5/24/96, pp.95-96) - "...When the band does latch onto a hook,...[Soundgarden] seems to instantly tire of it and contort its melody and tempo. Deviant, yes, but at least Soundgarden are on their musical toes..." - Rating: B+
    Alternative Press (8/96, pp.87-88) - 3 (out of 5) - "...they're now fully capable of penning some damned spiffy pop songs....this is a raw, warm....sounding record, high-tech for 1975 and having more to do with tubes than transistors....they sound more human here, like they're playing in your living room..."
    Melody Maker (5/18/96, p.49) - Recommended - "...[they are] never again going to be the band they used to be....Soundgarden were the band in whose honour Sub Pop were formed, but their roots don't matter now. All I care for now is the immediacy of their pop moments. You're Oasis fans. You understand..."
    Musician (7/96, pp.85-86) - "...[Cornell's] not a happy camper--and the sadder he gets, the nastier Soundgarden sounds....his bandmates revitalize him with odd instruments..., weird new mixes..., and skewed tempos and dune-shifting melodies that unfold and enfold over repeated spins..."
    Village Voice (2/25/97) - Ranked #25 in the Village Voice's 1996 Pazz & Jop Critics' Poll.

    1. [ Disc 01 Track 01 ] Pretty Noose
    2. [ Disc 01 Track 10 ] Never The Machine Forever
    3. [ Disc 01 Track 11 ] Tighter & Tighter
    4. [ Disc 01 Track 12 ] No Attention
    5. [ Disc 01 Track 13 ] Switch Opens
    6. [ Disc 01 Track 14 ] Overfloater
    7. [ Disc 01 Track 15 ] An Unkind
    8. [ Disc 01 Track 16 ] Boot Camp
    9. [ Disc 01 Track 02 ] Rhinosaur
    10. [ Disc 01 Track 03 ] Zero Chance
    11. [ Disc 01 Track 04 ] Dusty
    12. [ Disc 01 Track 05 ] Ty Cobb
    13. [ Disc 01 Track 06 ] Blow Up The Outside World
    14. [ Disc 01 Track 07 ] Burden In My Hand
    15. [ Disc 01 Track 08 ] Never Named
    16. [ Disc 01 Track 09 ] Applebite
    Release Date
    17 May 1996
    Songs / Tracks
    1. [ Disc 01 Track 01 ] Pretty Noose
    2. [ Disc 01 Track 02 ] Rhinosaur
    3. [ Disc 01 Track 03 ] Zero Chance
    4. [ Disc 01 Track 04 ] Dusty
    5. [ Disc 01 Track 05 ] Ty Cobb
    6. [ Disc 01 Track 06 ] Blow up the Outside World
    7. [ Disc 01 Track 07 ] Burden in My Hand
    8. [ Disc 01 Track 08 ] Never Named
    9. [ Disc 01 Track 09 ] Applebite
    10. [ Disc 01 Track 10 ] Never the Machine Forever
    11. [ Disc 01 Track 11 ] Tighter & Tighter
    12. [ Disc 01 Track 12 ] No Attention
    13. [ Disc 01 Track 13 ] Switch Opens
    14. [ Disc 01 Track 14 ] Overfloater
    15. [ Disc 01 Track 15 ] Unkind, An
    16. [ Disc 01 Track 16 ] Boot Camp

    Soundgarden: Chris Cornell (vocals, guitar, mandolin, mandola, Fender Rhodes electric piano); Kim Thayil (guitar); Ben Shepherd (mandolin, mandola, bass); Matt Cameron (Moog synthesizer, drums, percussion).
    Additional personnel: Adam Kasper (piano).
    Recorded at Studio Litho and Bad Animals, Seattle, Washington.
    "Pretty Noose" was nominated for a 1997 Grammy Award for Best Hard Rock Performance.
    Personnel: Chris Cornell (vocals, guitar, mandola, mandolin, piano, Fender Rhodes piano); Kim Thayil (guitar); Ben Shepherd (mandola, mandolin); Adam Kasper (piano); Matt Cameron (Moog synthesizer, drums, percussion).
    Audio Mixers: Adam Kasper; Soundgarden.
    Recording information: Auer, Jon; Bad Animals Studio, Seattle, WA; Studio Litho, Seattle, WA.
    Photographers: Kevin Westenberg; Ben Shepherd.
    Unknown Contributor Role: John Burton.
    They still come armed with their trademark guitar rumble and Chris Cornell's bellowing vocals. But once again, as on 1994's SUPERUNKNOWN, Soundgarden use their Led Zeppelin roots and Black Sabbath might as springboards toward melodic structure and instrumental experimentation not normally associated with bands this heavy.
    DOWN ON THE UPSIDE begins with "Pretty Noose," a swirling magma of guitar tones not unlike those generated by fellow Seattlites Alice In Chains. But Soundgarden avoids the typical grunge ruts. Guitarist Kim Thayil pulls out a mandolin a couple of times; on "Ty Cobb," he begins by noodling innocuously on it but works up to furious soloing. Soundgarden's punk roots show on that song and on "Never Named," but on other tracks the band shows its subtlety. "Applebite," which features drummer Matt Cameron on a Moog synthesizer, is eerie and disembodied. On "Overfloater," Thayil's low-key electric-guitar phrasing and Cornell's electric piano provide billowy tones and dreamy textures before the heavy crunch hits home.

    Date Released
    Audio Format
    PCM Audio
    Studio / Live
    Video Disabled
    Adam Kasper; Soundgarden
    1. Soundgarden
    65m 55s
    Adam Kasper

    Crispian, South Africa. 28 July 2016

    What an awesome multi-rock style grunge band. One of my first favourite rock bands ever listened to. Won't go wrong buying this cd

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