Synchronicity - (Import CD)

Police

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Categories
RockMusic
Category
  1. Performer
  2. Rock & Pop
  3. New Wave
Title
Synchronicity [Digipak]
BarCode
606949359928
Country of Origin
USA
Label
A&M (USA)
Department
Music
Mono / Stereo
Stereo
Format
CD
Barcode
606949359928
Previews

Rolling Stone - Ranked #17 in Rolling Stone's "100 Best Albums Of The Eighties" survey. (November 89).
CMJ (1/5/04, p.12) - Ranked #15 in CMJ's "Top 20 Most-Played Albums of 1983".

Songs / Tracks
  1. [ Disc 01 Track 01 ] Synchronicity I
  2. [ Disc 01 Track 02 ] Walking in Your Footsteps
  3. [ Disc 01 Track 03 ] O My God
  4. [ Disc 01 Track 04 ] Mother
  5. [ Disc 01 Track 05 ] Miss Gradenko
  6. [ Disc 01 Track 06 ] Synchronicity II
  7. [ Disc 01 Track 07 ] Every Breath You Take
  8. [ Disc 01 Track 08 ] King of Pain
  9. [ Disc 01 Track 09 ] Wrapped Around Your Finger
  10. [ Disc 01 Track 10 ] Tea in the Sahara
  11. [ Disc 01 Track 11 ] Murder by Numbers - (bonus track)
Country
USA
Notes
Simultaneously more pop-oriented and experimental than either Ghost in the Machine or Zenyatta Mondatta, Synchronicity made the Police superstars, generating no less than five hit singles. With the exception of "Synchronicity II," which sounds disarmingly like a crappy Billy Idol song, every one of those singles is a classic. "Every Breath You Take" has a seductive, rolling beat masking its maliciousness, "King of Pain" and "Wrapped Around Your Finger" are devilishly infectious new wave singles, and "Tea in the Sahara" is hypnotic in its measured, melancholy choruses. But, like so many other Police albums, these songs are surrounded by utterly inconsequential filler. This time, the group relies heavily on jazzy textures for Sting's songs, which only works on the jumping, marimba-driven "Synchronicity I." Then, as if to prove that the Police were still a band, there's one song apiece from Stewart Copeland and Andy Summers, both of which are awful, as if they're trying to sabotage the album. Since they arrive on the first side, which is devoid of singles, they do, making the album sound like two EPs: one filled with first-rate pop, and one an exercise in self-indulgence. While the hits are among Sting's best, they also illustrate that he was ready to leave the Police behind for a solo career, which is exactly what he did. ~ Stephen Thomas Erlewine
Duration
44m 11s
Studio / Live
Studio
Video Disabled
0
Performer
The Police
Producer
Hugh Padgham; The Police
Artists
  1. POLICE
  2. The Police
Distributor
Universal Distribution
Engineer
Hugh Padgham

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