Bill Evans - Quintessence (CD)

Bill Evans

R 209

eB2 090

Discovery Miles  2 090

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  1. Performer
  2. Jazz Instrument
  3. Guitar
Number of Discs
Number of Items
Country of Origin
Original Jazz Classics / Fantasy
Mono / Stereo
  1. [ Disc 01 Track 01 ] Sweet Dulcinea Bkue
  2. [ Disc 01 Track 02 ] Martina
  3. [ Disc 01 Track 03 ] Second Time Around
  4. [ Disc 01 Track 04 ] A Child Is Born
  5. [ Disc 01 Track 05 ] Bass Face
  6. [ Disc 01 Track 06 ] Nobody Else But Me
Songs / Tracks
  1. [ Disc 01 Track 01 ] Sweet Dulcinea Blue
  2. [ Disc 01 Track 02 ] Martina
  3. [ Disc 01 Track 03 ] Second Time Around
  4. [ Disc 01 Track 04 ] Child Is Born, A
  5. [ Disc 01 Track 05 ] Bass Face
  6. [ Disc 01 Track 06 ] Nobody Else But Me - (bonus track)
South Africa

Personnel: Bill Evans (piano); Harold Land (tenor saxophone); Kenny Burrell (guitar); Ray Brown (bass); Philly Joe Jones (drums).
Recorded at Fantasy Studios, Berkeley, California in May 1976.
Digital remastering by Phil De Lancie (1991, Fantasy Studios, Berkeley, California).
Personnel: Bill Evans (piano); Kenny Burrell (guitar); Harold Land (tenor saxophone); Ray Brown (acoustic bass); Philly Joe Jones (drums).
Audio Remasterer: Phil DeLancie.
Recording information: Fantasy Studios, Berkeley, CA (05/1976).
Photographers: Phil Bray; Galen Rowell.
Jazz piano legend Bill Evans' name is almost unthinkable without the word "Trio" coming to mind. But he did record a few--very few--albums in a group context. This session was recorded in May 1976, with longtime friend/musical associate Philly Joe Jones, and some new-to-Evans players: bass master Ray Brown, jazz guitar giant Kenny Burrell and the sublimely restrained bop tenor saxophonist Harold Land.
There are no Evans tunes here, but the program is first-rate: Thad Jones' standard "A Child is Born" (a wistful gem), Michel Legrand's "Martina" (Brown shines here) and the cool-cat (think "Pink Panther") blues of the Burrell original "Bass Face" (featuring a gloriously big-toned solo from Land, that magically transports you to an after-hours club). Evans' playing is slyly swinging and relaxed--giving you the impression (almost) that this was a spontaneous jam session. If you want to hear a rare side of Evans, orif you just want to hear some pros deliver a set of fine & mellow jazz--QUINTESSENCE is highly recommended.

Date Released
Audio Format
PCM Audio
Studio / Live
Video Disabled
Bill Evans (Piano)
Helen Keane
  1. Evans, Bill
42m 56s
Phil Kaffel
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