Karen Elson - The Ghost Who Walks (CD)
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- Rock & Pop
- Number of Items
- The Ghost Who Walks
- Country of Origin
- USA / Canada
- Xl Records
Rolling Stone (p.84) - 3 stars out of 5 -- "[A] sexy synthesis of Weimar chanteuse pop, trip-hop, Dusty Springfield and forlorn alt-country."
Spin - "Her twangy, echoing soprano recalls Jenny Lewis and Loretta Lynn, aided craftily by husband/producer Jack White."
Mojo (Publisher) (p.96) - 3 stars out of 5 -- "[W]inningly unhinged singer-songwriter is yet another role Elson wears with style."
Pitchfork (Website) - "'A Thief at My Door' breaks down the door at its half-way mark, a slow-burner turned lion that really captures Elson's vocal cords in fine form."
Uncut (magazine) (p.90) - 3 stars out of 5 -- "The titular gothic-folk murder ballad is wonderfully haunting....It's the Weimar-tinged '100 Years From Now' that really stands out."
- [ Disc 01 Track 01 ] --Ghost Who Walks, The
- [ Disc 01 Track 02 ] --Truth Is in the Dirt, The
- [ Disc 01 Track 03 ] --Pretty Babies
- [ Disc 01 Track 04 ] --Lunasa
- [ Disc 01 Track 05 ] --100 Years from Now
- [ Disc 01 Track 06 ] --Stolen Roses
- [ Disc 01 Track 07 ] --Cruel Summer
- [ Disc 01 Track 08 ] --Garden
- [ Disc 01 Track 09 ] --Birds They Circle, The
- [ Disc 01 Track 10 ] --Thief at My Door, A
- [ Disc 01 Track 11 ] --Last Laugh, The
- [ Disc 01 Track 12 ] --Mouths to Feed
- Songs / Tracks
- [ Disc 01 Track 01 ] Ghost Who Walks, The
- [ Disc 01 Track 02 ] Truth Is in the Dirt, The
- [ Disc 01 Track 03 ] Pretty Babies
- [ Disc 01 Track 04 ] Lunasa
- [ Disc 01 Track 05 ] 100 Years from Now
- [ Disc 01 Track 06 ] Stolen Roses
- [ Disc 01 Track 07 ] Cruel Summer
- [ Disc 01 Track 08 ] Garden
- [ Disc 01 Track 09 ] Birds They Circle, The
- [ Disc 01 Track 10 ] Thief at My Door, A
- [ Disc 01 Track 11 ] Last Laugh, The
- [ Disc 01 Track 12 ] Mouths to Feed
- Pop / Rock
- Release Date
- 20 October 2010
- South Africa
Personnel: Rachelle Garniez (vocals, accordion); Jackson Smith (guitar); Jack White (drums).
Audio Mixers: Jack White III; Vance Powell .
Recording information: Third Man Studio, Nashvile, TN.
Photographers: David Swanson ; Kate Elson.
Though The Ghost Who Walks is Karen Elson's debut album, she isn't exactly a musical newcomer -- even if it might seem that way to those who know her as the model who married the White Stripes' Jack White. With previous projects ranging from the political cabaret of the Citizens' Band to the garage punk tantrums of Mildred and the Mice, Elson has her share of musical experience, but with such wide-ranging credits, it was anyone's guess what her own album would sound like. On The Ghost Who Walks, she runs the gamut from chilly murder ballads with British roots to Nashville twang, giving old-timey folk and modern rock the same intensity and singing of shipwrecks, stolen lovers, and storms with a beguiling mournfulness. Her voice's dark dreaminess carries the album, especially on more stripped-down tracks like the acoustic late-summer lament "Lunasa" and the ghostly shanty "Stolen Roses." Though the album is Elson's showcase, White produced it, and his touches are everywhere. "The Truth Is in the Dirt"'s earthy, apocalyptic feel gets added heft from sudden dynamic shifts and spooky organ and pedal steel that recall his work with the Dead Weather -- and indeed, White's bandmate Jack Lawrence plays here as well, underscoring the repertory company vibe of projects White is associated with. His fondness for theatricality and Elson's cabaret roots combine on "100 Years from Now," a lovelorn song that starts off sounding like it's being played on a wax cylinder, then blooms into a sweeping waltz complete with theremin, and on the dust bowl ballad "Mouths to Feed." Yet many of the album's most striking moments are decidedly modern-sounding: "The Ghost Who Walks" -- which gets its name from one of the epithets Elson was called in school because she was so pale -- updates the murder ballad tradition with electric pianos that rain unearthly beauty onto the song; "A Thief at My Door" ebbs and flows, dipping into darker rock territory; and "The Last Laugh"'s gentle country-pop sounds like it could have come off a long-lost Dolly Parton album from the '70s. While The Ghost Who Walks occasionally feels a little long and scattered, it's still a beautifully made album that earns Elson a place among moody songstresses such as Neko Case, Amanda Palmer, Hope Sandoval, and Paula Frazer. ~ Heather Phares
- Date Released
- Audio Format
- PCM Audio
- Studio / Live
- Video Disabled
- Karen Elson
- Jack White III; Jack White
- 42m 23s
- Vance Powell
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